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Kathryn Blume
Inspired by the ancient anti-war comedy Lysistrata, actor-activist Kathryn Blume plays Kathryn Blume, a woman trying to fight global warming and save the world — by writing a screenplay about the First Lady of the United States launching a national sex strike to fight global warming and save the world. Aided by her impassioned daughter, a high tech Secret Service agent, and a plucky Brazilian tree frog she meets on the Astral Plane, Lyssa bumps and lurches her way into an unexpected, wildly comic, and ultimately successful campaign.
Jacobs believes the choice of first-person perspective gives the audience an immediate point of entry. It's "that very human, individual response" missing from statistics-heavy news stories."
Kathryn Blume
Arclight Theatre
THE
BOY
COTT
THE
BOYCOTT
Inspired by the ancient anti-war comedy Lysistrata, actor-activist Kathryn Blume plays Kathryn Blume, a woman trying to fight global warming and save the world — by writing a screenplay about the First Lady of the United States launching a national sex strike to fight global warming and save the world. Aided by her impassioned daughter, a high tech Secret Service agent, and a plucky Brazilian tree frog she meets on the Astral Plane, Lyssa bumps and lurches her way into an unexpected, wildly comic, and ultimately successful campaign.
Jacobs believes the choice of first-person perspective gives the audience an immediate point of entry. It's "that very human, individual response" missing from statistics-heavy news stories."
Kathryn Blume
Arclight Theatre
THE
BOY
COTT
THE
BOYCOTT
Inspired by the ancient anti-war comedy Lysistrata, actor-activist Kathryn Blume plays Kathryn Blume, a woman trying to fight global warming and save the world — by writing a screenplay about the First Lady of the United States launching a national sex strike to fight global warming and save the world. Aided by her impassioned daughter, a high tech Secret Service agent, and a plucky Brazilian tree frog she meets on the Astral Plane, Lyssa bumps and lurches her way into an unexpected, wildly comic, and ultimately successful campaign.
Jacobs believes the choice of first-person perspective gives the audience an immediate point of entry. It's "that very human, individual response" missing from statistics-heavy news stories."
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