
THEATRE ASKEW
In 2004, I co-founded Theatre Askew to explore how to create "queer theatre" in New York in the 21st century. The company called for a radical new approach to the representation of "queerness" defining queerness as a metaphor for ALL those who stand outside of mainstream, consumerist models. Theatre Askew would make ever-evolving programming choices and create a diverse body of work of social impact and spiritual consequence that reflects the complexity of our experience.
Askew's early productions emphasized adaptation and the ways in which a queer perspective can illuminate classic texts. I co-created Bald Diva! an original absurdist farce inspired by Ionesco's The Bald Soprano. Directing The Tempest, I explored the Radical Faerie movement and interpreted Shakespeare's play as an expression of the healing capacity of the "gay spirit." Our episodic satire I, Claudius Live was a parody of the BBC series, irreverently adapted to address politics of the Bush II presidency, and told from the point of view of a disabled heterosexual character who could never be a "real" man by the standards of Roman culture. Our 2007 production of i google myself explored the social and emotional impact of the internet, and our first fully original play.
Fundamental to Askew's mission is the inclusion of LGBTQA youth as significant members and the future leaders of the community. In 2005, I co-founded the Theatre Askew Youth Performance Experience (TAYPE) to provide a creative forum to develop and empower the voices of this population. TAYPE is an arts skills program that encourages youth to build community, acquire responsibility, and experience leadership, teamwork, and the personal rewards of achievement – within the process of creating, producing, and performing theatre. In addition to theatrical skills, the program introduces youth to the New York theatre world, including working theatre artists who can inspire, guide, and serve as role models, and point them towards internships and opportunities beyond our projects.
Theatre Askew has garnered positive notices from The New York Times, The Village Voice, Time Out New York as well as other media outlets; we have been nominated twice for the GLAAD media award, listed on Theatermania's best-of-the year lists, and in 2007 was named on NYTheatre.com's People of the Year list.
In 2011, I left Theatre Askew in order to concentrate on my freelance work as a director, writer, and teaching artist.





BY
JASON JACOBS

Fresh Fruit Festival
ANOTHER
HORATIO
ALGER
STORY








LGBTQ youngsters who participated in this year's Theatre Askew Youth Performance Experience (TAYPE) created this play out of a series of workshops, writing assignments, visual art and more. The work explores gender identity, stereotypes and, of course, love."


CO-FOUNDER
JASON JACOBS

THEATRE ASKEW
YOUTH PERFORMANCE
EXPERIENCE
TAYPE








In the new play “I Google Myself,” this ordinary act fuels a bizarre encounter which takes on ever creepier proportions in a show both hilarious and gothic."


The play had an impact. On the way out, one audience member said to another, 'I’m going to go home and turn off my computer.'"
BY JASON
SCHAFER

I
MYSELF


Queer in the best sense of the word: self-consciously outside of the mainstream, looking in with intelligence and wit."
-Village Voice






Theatre Askew's politicized deconstruction of everyone's favorite BBC neoclassic is clearly destined for some legendary status of its own."
Village Voice


When in Rome, do as the Romans do. When in the East Village in a play about Rome, do it with gays, trannies and as little clothing as possible - especially when it’s I, Claudius Live!, a six-part parody of the epic 1976 BBC miniseries from Theatre Askew"

I, CLAUDIUS
LIVE


It is delicious fun watching evil people do awful things to one another. But I, Claudius Live is funner than fun...It is staged broadly and briskly like a farce, yet has been laced with thought-provoking political parallels to give us food for thought when we aren't laughing our heads off."






Stylishly directed by Jason Jacobs, who co-conceived the project with dramaturg Jamee Freedus, the show is flawlessly paced and brought to vivid life by the talented ensemble cast."


DAVID KOTELES

BALD
DIVA!


Director Jason Jacobs... keeps the evening bouncing along and guides the performers well through the play's final, ironic moments."




HORATIO
ALGER
BY
JASON JACOBS

Fresh Fruit Festival










TAYPE
CO-FOUNDER
JASON JACOBS



LGBTQ youngsters who participated in this year's Theatre Askew Youth Performance Experience (TAYPE) created this play out of a series of workshops, writing assignments, visual art and more. The work explores gender identity, stereotypes and, of course, love."








BY JASON
SCHAFER



In the new play “I Google Myself,” this ordinary act fuels a bizarre encounter which takes on ever creepier proportions in a show both hilarious and gothic."


Queer in the best sense of the word: self-consciously outside of the mainstream, looking in with intelligence and wit."
-Village Voice


The play had an impact. On the way out, one audience member said to another, 'I’m going to go home and turn off my computer.'"




LIVE



Theatre Askew's politicized deconstruction of everyone's favorite BBC neoclassic is clearly destined for some legendary status of its own."
Village Voice


It is delicious fun watching evil people do awful things to one another. But I, Claudius Live is funner than fun...It is staged broadly and briskly like a farce, yet has been laced with thought-provoking political parallels to give us food for thought when we aren't laughing our heads off."


When in Rome, do as the Romans do. When in the East Village in a play about Rome, do it with gays, trannies and as little clothing as possible - especially when it’s I, Claudius Live!, a six-part parody of the epic 1976 BBC miniseries from Theatre Askew"




BALD
DIVA!
DAVID KOTELES



Stylishly directed by Jason Jacobs, who co-conceived the project with dramaturg Jamee Freedus, the show is flawlessly paced and brought to vivid life by the talented ensemble cast."


Director Jason Jacobs... keeps the evening bouncing along and guides the performers well through the play's final, ironic moments."






ANOTHER
HORATIO ALGER
STORY
BY
JASON JACOBS
Fresh Fruit Festival










T A Y P E
CO-FOUNDER
JASON JACOBS


LGBTQ youngsters who participated in this year's Theatre Askew Youth Performance Experience (TAYPE) created this play out of a series of workshops, writing assignments, visual art and more. The work explores gender identity, stereotypes and, of course, love."








I GOOGLE
MYSELF
BY JASON
SCHAFER


In the new play “I Google Myself,” this ordinary act fuels a bizarre encounter which takes on ever creepier proportions in a show both hilarious and gothic."


Queer in the best sense of the word: self-consciously outside of the mainstream, looking in with intelligence and wit."
-Village Voice


The play had an impact. On the way out, one audience member said to another, 'I’m going to go home and turn off my computer.'"




I, CLAUDIUS LIVE


Theatre Askew's politicized deconstruction of everyone's favorite BBC neoclassic is clearly destined for some legendary status of its own."
Village Voice


It is delicious fun watching evil people do awful things to one another. But I, Claudius Live is funner than fun...It is staged broadly and briskly like a farce, yet has been laced with thought-provoking political parallels to give us food for thought when we aren't laughing our heads off."


When in Rome, do as the Romans do. When in the East Village in a play about Rome, do it with gays, trannies and as little clothing as possible - especially when it’s I, Claudius Live!, a six-part parody of the epic 1976 BBC miniseries from Theatre Askew"




BALD
DIVA!
DAVID KOTELES


Stylishly directed by Jason Jacobs, who co-conceived the project with dramaturg Jamee Freedus, the show is flawlessly paced and brought to vivid life by the talented ensemble cast."


Director Jason Jacobs... keeps the evening bouncing along and guides the performers well through the play's final, ironic moments."




