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  • HEDWIG AND THE ANGRY INCH | Jason Jacobs

    HEDWIG AND THE ANGRY INCH Video Images Watch

  • BIG LOVE | Jason Jacobs

    BIG LOVE Video Images NO VIDEO AVAILABLE

  • MY FIRST LADY

    0cd7905b-58d9-4a18-850e-48674645cf1b MY FIRST LADY INDEPENDENT THEATRE GALLERY: WATCH OUR HILARIOUS PROMO

  • JASON JACOBS | Theatre Director & Educator

    > Directorial Projects > DIRECTORIAL PROJECTS Filter by Venue/Category Filter by playwright RESET to ALL AFTER THE CHAIRS David Koteles Fresh Fruit Festival View More ANOTHER HORATIO ALGER STORY Jason Jacobs Fresh Fruit Festival View More AS YOU LIKE IT Wm. Shakespeare View More BALD DIVA! David Koteles and Jason Jacobs View More BAT BOY: THE MUSICAL Keythe Farley, Brian Flemming, and Laurence O'Keefe View More BIG LOVE Charles L. Mee after Aeschylus's THE SUPPLIANT WOMEN View More CABA RET Kander / Ebb / Masteroff View More HEDWIG AND THE ANGRY INCH John Cameron Mitchell and Stephen Trask View More I GOOGLE MYSELF Jason Schaffer View More I, CLAUDIUS LIVE View More LAVENDER SONGS Jeremy Lawrence PANGEA View More MACHINAL Sophie Treadwell View More MARAT / SADE Peter Weiss View More MISS BLANCHE TELLS IT ALL Jason Jacobs: and Matthew C Pritchard View More MY FIRST LADY David Koteles Metropolitan Playhouse View More OLIVER TWIST Neil Bartlett View More OPUS Michael Hollinger View More POST-MOD ERN LIVING Richard Sheinmel LaMama View More T A Y P E Jason Jacobs View More THE TEMPEST Wm. Shakespeare Arclight Theatre View More THE BOYCOTT Kathryn Blume Arclight Theatre View More UNCLE TOM'S CABIN Jason Jacobs, Tome' Cousin, and Douglas Levine. View More VANYA VERMONT Chekhov, Kathryn Blume KATHRYN BLUME View More

  • All projects | Jason Jacobs

    Venue / category : All projects Vermont Stage Company Original work Independent theatre Theatre Askew Post Theatre Company AFTER THE CHAIRS David Koteles View More ANOTHER HORATIO ALGER STORY Jason Jacobs View More AS YOU LIKE IT Wm. Shakespeare View More BALD DIVA! David Koteles and Jason Jacobs View More BAT BOY: THE MUSICAL Keythe Farley, Brian Flemming, and Laurence O'Keefe View More BIG LOVE Charles L. Mee View More CABA RET Kander / Ebb / Masteroff View More HEDWIG AND THE ANGRY INCH John Cameron Mitchell and Stephen Trask View More I GOOGLE MYSELF Jason Schaffer View More I, CLAUDIUS LIVE View More LAVENDER SONGS Jeremy Lawrence View More MACHINAL Sophie Treadwell View More MARAT / SADE Peter Weiss View More MISS BLANCHE TELLS IT ALL Jason Jacobs: and Matthew C Pritchard View More MY FIRST LADY David Koteles View More OLIVER TWIST Neil Bartlett View More OPUS Michael Hollinger View More POST-MOD ERN LIVING Richard Sheinmel View More T A Y P E Jason Jacobs View More THE TEMPEST Wm. Shakespeare View More

  • ORIGINAL WORK

    19ec69a5-3da0-41cb-a867-6f5f622fa4c7 ORIGINAL WORK Previous Item Next Item UNCLE TOM'S CABIN

  • xxxScreenoing-Home | Jason Jacobs

    A Story-Telling Exercise: the kids are improvising a story, each picking up the details from the previous person. It was shot and edited by Rob Tate.

  • Jason Jacobs | JASON JACOBS ACCEPTANCE VIDEO

    JACQUELINE KENNEDY-ONASSIS 2020 HIGH SCHOOL COMMENCEMENT SPEECH

  • Jason Jacobs | TEACHING PHILOSOPHY

    PUBLICATIONS MY MISSION in teaching is to stimulate, challenge, and support students to realize their potential as artists, citizens, and humans. Their minds and hearts are the most critical resources we have, and I pursue the following approaches to foster their growth: TO EMPOWER STUDENTS to recognize their potency as artists and citizens, I ask questions about leadership, citizenship, and the impact of their work. Whether in public high schools or private universities, I encourage young people to engage with the wider world and recognize the importance of cultivating their voices. I promote critical thinking, facilitate brave conversations about equality and diversity, and spotlight the many ways theatre can promote social justice. My experience of coming out before LGBT people had mainstream acceptance forged my connection to anyone facing oppression and my commitment to oppose racism, I bring these values to everything I do as an educator and an artist. TO FOSTER OWNERSHIP of their artistic process and dedication to their collaborators and audience, I approach teaching as an exchange between creative artists. I believe we all bring unique ideas and experience into the room, and I value the growth that emerges from respectful exchanges. I create a safe working space where each student’s creative ideas are valued and welcomed. My approach to collaboration comes from training with Anne Bogart and Tina Landau; I use the Viewpoints work to build ensemble, heighten awareness to the present moment, and establish a working vocabulary for any project. I lead students through composition processes that challenge them to create the theatrical worlds for each project. TO NURTURE ARTISTRY and foster discipline and skills, I engage students in challenging projects which also stimulate my own growth as an artist. Whether through full productions or classroom activities/project-based learning, I create experiences for active learning. I ask a lot of questions, build trust, and encourage risk-taking. I strive to attend to each student's personal objectives: whether honing in on specific skills, habits, or approaches to the process. I hold students to high standards in their written work and research, and maintain accountability for deadlines and responsibilities to partners, groups, and themselves. TO BUILD KNOWLEDGE both analytical historical, I ask students to conduct research and explore the background of plays, playwrights, and theatrical movements. I create assignments to activate academic research and apply it in real-world contexts. I love the classics and approach them as living texts that invite interpretation and adaptation. I believe that students will be empowered by a solid grasp of dramatic literature, and an understanding of how social, economic, and political forces influence theatre and theatre-makers. TO ENCOURAGE INTROSPECTION about themselves and their work, I ask students the same questions I ask myself and my collaborators when approaching a project: Why have I chosen this project? Why do I need to work on this play? What is my point of view? What do I want to say? Who is my audience and how do I want to impact them? By guiding students to connect to their own purpose and explore the essence of their creativity, I urge them to make choices that align with their own values and beliefs. TEACHING PHILOSOPHY

  • Jason Jacobs | ROUNDABOUT THEATRE TEACHING ARTIST

    Jacobs_Classroom Residency Sample.pdf Interview with Jason Roundabout Theatre Jacobs_High School Theatre Residency2017.pdf Little Amal Education & Activity Pack - New York City 2022.pdf

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